000			03576cam a22004574a 4500
001			musev2_98627
003			MdBmJHUP
005			20241119121643.0
006			m o d
007			cr||||||||nn|n
008			160210s2015 mau o 00 0 eng d
020			_a9781943208012
020			_z9781943208005
035			_a(OCoLC)938006752
040			_aMdBmJHUP _cMdBmJHUP
245	0	0	_aIntersecting Colors : _bJosef Albers and His Contemporaries / _cedited by Vanja Malloy.
264		1	_aAmherst, Massachusetts : _bAmherst College Press, _c[2015]
264		3	_aBaltimore, Md. : _bProject MUSE, _c2022
264		4	_c©[2015]
300			_a1 online resource: _bcolor illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aPublished in conjunction with the exhibition held at the Mead Art Museum, Amherst College, August 28, 2015-January 3, 2016.
505	0	0	_tForeword / _rDavid E. Little -- _tIntroduction / _rVanja Malloy -- _tA short history of Josef Albers's Interaction of color / _rBrenda Danilowitz -- _tExplaining color in two 1963 publications / _rSarah Lowengard -- _tMore than parallel lines: thoughts on Gestalt, Albers, and the Bauhaus / _rKaren Koehler -- _tJuxtapositions and constellations: Albers and Op Art / _rJeffrey Saletnik -- _tJosef Albers and the science of seeing / _rSusan R. Barry -- _gContributors -- _gExhibition checklist.
506	0		_aOpen Access _fUnrestricted online access _2star
520	3		_aJosef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color - dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests - ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.
588			_aDescription based on print version record.
600	1	7	_aAlbers, Josef. _2fast _0(OCoLC)fst00054775
600	1	0	_aAlbers, Josef _vExhibitions.
600	1	0	_aAlbers, Josef _xCriticism and interpretation.
655		7	_aOpen access publications. _2local _5MA
655		7	_aExhibition catalogs. _2fast _0(OCoLC)fst01424028
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		7	_aElectronic books. _2local
700	1		_aAlbers, Josef, _eartist.
710	2		_aMead Art Museum (Amherst College), _ehost institution.
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/98627/
999			_c38310 _d38310