Intersecting Colors : (Record no. 38310)
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000 -LEADER | |
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fixed length control field | 03576cam a22004574a 4500 |
001 - CONTROL NUMBER | |
control field | musev2_98627 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | MdBmJHUP |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20241119121643.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION | |
fixed length control field | m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr||||||||nn|n |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 160210s2015 mau o 00 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781943208012 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Cancelled/invalid ISBN | 9781943208005 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)938006752 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | MdBmJHUP |
Transcribing agency | MdBmJHUP |
245 00 - TITLE STATEMENT | |
Title | Intersecting Colors : |
Remainder of title | Josef Albers and His Contemporaries / |
Statement of responsibility, etc | edited by Vanja Malloy. |
264 #1 - | |
-- | Amherst, Massachusetts : |
-- | Amherst College Press, |
-- | [2015] |
264 #3 - | |
-- | Baltimore, Md. : |
-- | Project MUSE, |
-- | 2022 |
264 #4 - | |
-- | ©[2015] |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource: |
Other physical details | color illustrations |
336 ## - | |
-- | text |
-- | txt |
-- | rdacontent |
337 ## - | |
-- | computer |
-- | c |
-- | rdamedia |
338 ## - | |
-- | online resource |
-- | cr |
-- | rdacarrier |
500 ## - GENERAL NOTE | |
General note | Published in conjunction with the exhibition held at the Mead Art Museum, Amherst College, August 28, 2015-January 3, 2016. |
505 00 - FORMATTED CONTENTS NOTE | |
Title | Foreword / |
Statement of responsibility | David E. Little -- |
Title | Introduction / |
Statement of responsibility | Vanja Malloy -- |
Title | A short history of Josef Albers's Interaction of color / |
Statement of responsibility | Brenda Danilowitz -- |
Title | Explaining color in two 1963 publications / |
Statement of responsibility | Sarah Lowengard -- |
Title | More than parallel lines: thoughts on Gestalt, Albers, and the Bauhaus / |
Statement of responsibility | Karen Koehler -- |
Title | Juxtapositions and constellations: Albers and Op Art / |
Statement of responsibility | Jeffrey Saletnik -- |
Title | Josef Albers and the science of seeing / |
Statement of responsibility | Susan R. Barry -- |
Miscellaneous information | Contributors -- |
-- | Exhibition checklist. |
506 0# - RESTRICTIONS ON ACCESS NOTE | |
Terms governing access | Open Access |
Standardized terminology for access restriction | Unrestricted online access |
Source of term | star |
520 3# - SUMMARY, ETC. | |
Summary, etc | Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color - dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests - ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry. |
588 ## - | |
-- | Description based on print version record. |
600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
Personal name | Albers, Josef. |
Source of heading or term | fast |
-- | (OCoLC)fst00054775 |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
Personal name | Albers, Josef |
Form subdivision | Exhibitions. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
Personal name | Albers, Josef |
General subdivision | Criticism and interpretation. |
655 #7 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Open access publications. |
Source of term | local |
Institution to which field applies | MA |
655 #7 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Exhibition catalogs. |
Source of term | fast |
-- | (OCoLC)fst01424028 |
655 #7 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Criticism, interpretation, etc. |
Source of term | fast |
-- | (OCoLC)fst01411635 |
655 #7 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
Source of term | local |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Albers, Josef, |
Relator term | artist. |
710 2# - ADDED ENTRY--CORPORATE NAME | |
Corporate name or jurisdiction name as entry element | Mead Art Museum (Amherst College), |
Relator term | host institution. |
710 2# - ADDED ENTRY--CORPORATE NAME | |
Corporate name or jurisdiction name as entry element | Project Muse. |
Relator term | distributor |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
Uniform title | Book collections on Project MUSE. |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Public note | Full text available: |
Uniform Resource Identifier | <a href="https://muse.jhu.edu/book/98627/">https://muse.jhu.edu/book/98627/</a> |
No items available.